| Angular
perspective |
30 paintings. Oil
on canvas. Exploration of linear geometry,oblique acute
or obtuse angles and the subjective symbolism emerging
of their intersection
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| Antibes |
| 9 paintings. Oil
on canvas. Reflection on a defined space and color scheme |
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| Bongard's
problems |
| 14 paintings. Oil
on canvas, Study of space dynamic. Inspired from M. Bongard's
sketchbook on visual pattern recognition published in
1967 |
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| Colazza |
| 23 paintings.
Acrylic
on canvas. Work around a theme within a given place. |
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| Egyptographs |
| 29 paintings Oil on
paper. Exploration of theme and iconography of ancient
Egypt. |
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| Flowers |
| 5 paintings. Oil on
paper. Theme built around organic material and
found objects. |
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| Marouflage |
| 21 paintings. Oil
on paper. Marouflage is
a technique used to fasten a paper surface onto a more
solid support, such as a canvas or a board, for durability
and longevity. The resulting effect has the work loose
it smoothness yet provide a hardened feel that compliment
the purpose of imagery. |
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| Ochre |
| Ochre is a natural pigment made
of earth tones going from cream to brown. The following
is an exercise on the use of powdered natural pigments
and how it affects the creative process. |
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| Orientales |
| 5 painting. Oil
on canvas. Far
Eastern geometric constructs inspired by Japanese architecture
and symbolism. |
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| Periple |
| 50 paintings. Oil & acrylic
on paper and canvas. Various paintings on different themes
and medium |
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| Reference
material |
| 75 paintings. Oil & acrylic
on paper and canvas. Material created between 1960 and 1980.
Put there as a reference and origin of most ulterior
works, |
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| Sonatine |
| 11 paintings. Oil
on canvas. Variation on a musical theme. The sonatine
is a short and simple composition of three or four movements. |
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| Volumes |
| 34 paintings. Oil
on canvas. Atomic
and molecular weights in a virtual gravity scheme
.Difference in tension caused by presence and absence
in a confined
space. |
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